There is no doubt that Fast Times At Ridgemont steep is an intelligent, entertaining, and most importantly, realistic look at exalted tutor livelihood of the early 1980s. Sex, drugs, and carefree abandon forge rife with the rosy tint with which any pubertal puerile sees the world. However, scarce because that is the most common view of teenage life does non mean that a documentary-like narrative should be devoid of a view of what living looks like with the rose colored provision taken off. Take for instance the consequences of Stacys loose behavior - she extremitys at xtion, sleeps with a roast to get it, and ends up not sole(prenominal) without the attention of the guy, tho pregnant as well. To top it each(prenominal) off, when she goes to tell the fix the news, he drops all contact and offers no help. Now, to an extent that shows the regretful reality of the situation. The world doesnt look quite so rosy. alone that is where all reality ends. The pesky puny prob lem is speedily sucked out of the way, without exposing the viewer to the controversial battue and agony of the influence; and avoiding all real uncomfortable-ness and dilemma. She never rattling has to deal with the situation.
The wide-cut process of the abortion is conveniently box into about ten seconds worth of film, where a perfectly festal nurse turns a corner and asks a perfectly blissful and healthy look Stacy if shes all set, then sends her on her way. I personally come it rather discomforting to see something that is neither happy, painless, or trifling handled so trivially. Abortion is an issue th at is generally handled rattling delicately! , and with good reason, but I find it a do it cop-out by writer Cameron Crowe and music director Amy Heckerling to completely ignore... If you want to get a full essay, severalise it on our website:
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