LIKE WATER FOR CHOCOLATE ?Character Commentary         The portion of florists chrysanthemum Elena presented in the novel Like Water for Chocolate, was not honest to its fullest potential. mummy Elena, while a central percentage, is surprisingly shallow. Because of the running(a) whole tone of the character Esquivel has created, mama Elena is at times unretentive more than than a foil to Tita, playing the evil stepmother to Titas Cinderella. mammy Elena is visualised as an authoritarian, cold, harsh woman passim the text. in that wonder is never any show of compassion on her part, and her unkind treatment of Tita is difficult to understand and hard to accept at times. There is no motherly compassion demonstrated passim the text whatsoever. She scolds Tita for embroidery mistakes, and seemingly takes equisite pleasure in dilapidation the stitches and forcing Tita to resew them. She is determined to break Titas spirit and enforce the tradition of spinsterhood for the youngest daughter of the family. momma Elena demands complete submission. This coldness and utter ignore of humanity and empathy is illustrated when Mama Elena disowns first Gertrudis and and then Tita. Towards Rosaura she is impartial, and all the similar then she does not show signs of affection. Her fierce, barbaric nature is replete to bound a commanding officer of a revolutionist array and stave off their raids. She suspects Tita, her kind, doting daughter of exhausting to acerbate her. This shows Mama Elenas coldness and lack of affection for Tita. She is bitter, suspicious, incompetent of loving and of being loved. Her suspicion shows she has given Tita reason for iniquity and shows that she also realizes this. In the authors attempt to portray Mama Elena as the opposite in her tale, she has created a one-dimensional character that is so cold as to become caricatured at times. When Esquivel does venture to explicate Mama Elenas past and reveal her capacity for love and reasons fo! r her bitterness, it is in any case late. cathode-ray oscilloscope of this nature usually creates an interesting underlying business relationship that adds vastness and depth to a plot. However, Esquivels attempt at flushing Mama Elenas character out through the discovery of her love letter is wonky and fails. She has already created a nefarius character incapable of love, and the pitiful primer information is forced and ineffective. If Esquivel had further developed Mama Elenas character by elaborating on her love affair and youth, by chance even devoted an entire chapter to her character, Mama Elena would be a a good deal more interesting and salty character. If you want to get a full essay, order it on our website: OrderCustomPaper.com
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